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WHY AMERICAN TRADITIONAL TATTOOS STILL LOOK GOOD YEARS LATER

WHY AMERICAN TRADITIONAL TATTOOS STILL LOOK GOOD YEARS LATER

Bristol Tattoo Convention guest spot announcement for Whambam Tattoo artist Andrew Brown
Bristol Tattoo Convention guest spot announcement for Whambam Tattoo artist Andrew Brown

I get asked this a lot, especially from people who are new to tattoos: why traditional? Why all the bold lines and the same few colours when you could get pretty much anything done these days?

The honest answer is that it lasts.

Skin changes over time. Ink spreads a little under the skin as the years go by due to less collagen and elastin in the skin, lines soften and fine details start to blur into one another. It happens to every tattoo, no matter who does it. Traditional tattooing was built around that from the start. Thick outlines, plenty of solid black and simple shapes mean that even when a tattoo softens with age, it still reads clearly. You can see what it is from across the room, and you'll still be able to in 20 years.

The limited colour palette plays its part too. Reds, yellows, greens and black hold up really well in the skin, and with fewer colours packed in, each one has room to breathe. Nothing gets muddy.

Then there's the designs themselves. Swallows, roses, daggers, panthers, ships, pin-ups — a lot of these have been tattooed for years and they still look great. They're not tied to a trend or a certain year, so they don't date the way some styles do. Early pioneers like Martin Hildebrandt opened a shop in New York City during the 1870s so with that said bold will hold!!

I have always been interested in this style of tattoo specifically from seeing it on loads of punk bands that I went to see live while growing up. The tattoos stood out and look bold and tough so it was inevitable that my style would develop around the American traditional style.

That doesn't mean traditional has to be stiff or old-fashioned. There's loads of room to make something your own, whether that's a classic design with a twist, some lettering added in, or a piece built around something personal to you. That's the bit I really enjoy.

If you're thinking about getting something traditional, have a look through my portfolio and flash, and fill out the enquiry form when you're ready. We can start planning something that'll look just as good years down the line.

I get asked this a lot, especially from people who are new to tattoos: why traditional? Why all the bold lines and the same few colours when you could get pretty much anything done these days?

The honest answer is that it lasts.

Skin changes over time. Ink spreads a little under the skin as the years go by due to less collagen and elastin in the skin, lines soften and fine details start to blur into one another. It happens to every tattoo, no matter who does it. Traditional tattooing was built around that from the start. Thick outlines, plenty of solid black and simple shapes mean that even when a tattoo softens with age, it still reads clearly. You can see what it is from across the room, and you'll still be able to in 20 years.

The limited colour palette plays its part too. Reds, yellows, greens and black hold up really well in the skin, and with fewer colours packed in, each one has room to breathe. Nothing gets muddy.

Then there's the designs themselves. Swallows, roses, daggers, panthers, ships, pin-ups — a lot of these have been tattooed for years and they still look great. They're not tied to a trend or a certain year, so they don't date the way some styles do. Early pioneers like Martin Hildebrandt opened a shop in New York City during the 1870s so with that said bold will hold!!

I have always been interested in this style of tattoo specifically from seeing it on loads of punk bands that I went to see live while growing up. The tattoos stood out and look bold and tough so it was inevitable that my style would develop around the American traditional style.

That doesn't mean traditional has to be stiff or old-fashioned. There's loads of room to make something your own, whether that's a classic design with a twist, some lettering added in, or a piece built around something personal to you. That's the bit I really enjoy.

If you're thinking about getting something traditional, have a look through my portfolio and flash, and fill out the enquiry form when you're ready. We can start planning something that'll look just as good years down the line.

I get asked this a lot, especially from people who are new to tattoos: why traditional? Why all the bold lines and the same few colours when you could get pretty much anything done these days?

The honest answer is that it lasts.

Skin changes over time. Ink spreads a little under the skin as the years go by due to less collagen and elastin in the skin, lines soften and fine details start to blur into one another. It happens to every tattoo, no matter who does it. Traditional tattooing was built around that from the start. Thick outlines, plenty of solid black and simple shapes mean that even when a tattoo softens with age, it still reads clearly. You can see what it is from across the room, and you'll still be able to in 20 years.

The limited colour palette plays its part too. Reds, yellows, greens and black hold up really well in the skin, and with fewer colours packed in, each one has room to breathe. Nothing gets muddy.

Then there's the designs themselves. Swallows, roses, daggers, panthers, ships, pin-ups — a lot of these have been tattooed for years and they still look great. They're not tied to a trend or a certain year, so they don't date the way some styles do. Early pioneers like Martin Hildebrandt opened a shop in New York City during the 1870s so with that said bold will hold!!

I have always been interested in this style of tattoo specifically from seeing it on loads of punk bands that I went to see live while growing up. The tattoos stood out and look bold and tough so it was inevitable that my style would develop around the American traditional style.

That doesn't mean traditional has to be stiff or old-fashioned. There's loads of room to make something your own, whether that's a classic design with a twist, some lettering added in, or a piece built around something personal to you. That's the bit I really enjoy.

If you're thinking about getting something traditional, have a look through my portfolio and flash, and fill out the enquiry form when you're ready. We can start planning something that'll look just as good years down the line.